- The
Brief as a Starting point
The brief acts as the starter
activity for the creative team and therefore, has a big influence on motivation
and space in all the meetings (deliberations) that
follow. Ideally, a brief, if well prepared, can become a love letter to the
product; allowing imaginations to run wild. If
the brief you produce will work just as well for a competing brand, then you
can be certain that it’s too interchangeable and therefore belongs in the
recycle bin.
A good brief must have two
kinds of information:
·
The kind of information that restricts the team’s creative search-field. They include budget constraints, the cleint’s ideas and preferences, style requirements, marketing information or concepts that have already been considered but rejected. These kind of information must be kept in the background during the creative phase. (Pricken, 2007. p.16)
The kind of information that restricts the team’s creative search-field. They include budget constraints, the cleint’s ideas and preferences, style requirements, marketing information or concepts that have already been considered but rejected. These kind of information must be kept in the background during the creative phase. (Pricken, 2007. p.16)
·
The kind of information that enlarges the search-field
for potential ideas and stimulates that imagination. Example the USP of the
product, tone or mood, the product information profile or specs, the target
group, among others. These parameters will stimulate the imagination and
provide a wider spectrum for ideas to be hatched.
NB: Turn to pages for
sample creative briefs.
What does
the Goal Achieve?
·
Reduces a complex brief to a clear
strategy or a single-minded proposition.
·
Reduces all the ideas to a
single-minded proposition that can be understood by the target group in just a
few seconds.
·
The
goal acts as the FOCAL POINT leading
to a clearly defined objective.
·
It
is expressed in the form of a question
(How can we achieve X?). the goal makes the team members begin an active mental
search process and so acts as a stimulus.
·
The
goal keeps team members on track.
Examples of Goals.
·
A
formulation that mentions a specific benefit: ‘How can we show in a
line of copy that the new TB LENS is the most hardwearing camera lens
currently on the market?’ (Pricken, 2007. p.18)
·
A
formulation directed towards a visual campaign: ‘ How can we show in an Image
that the new TB LENS is the most advanced camera lens currently on the market?’
(Pricken, 2007. p.18)
·
A
formulation directed towards a visual campaign: ‘How can we show in a very provocative
line of copy that the TB LENS is the hardwearing camera lens currently
on the market?’
Seven
(7) rules for Goal Formulation
·
A
goal should always involve a single-minded proposition
·
A
goal should have no ‘ands’
·
A
goal is always a question
·
A
goal should be short and snappy
·
A
goal should be simple enough for a twelve-year-old to understand it.
·
A
goal should avoid using foreign words or jargons.
·
A
goal should be formulated in such a way that the clients will accept and take
forward. (Pricken, 2007. p.19)
The Basis of
the Kickstart Catalogue
The Kickstart catalogue offers the strategies likely to
promote great ideas for campaigns. It also present techniques used by
international campaigns that have received awards at major international
festivals.
There are nine (9) different area or factors that will
help you understand campaigns and explain their basic structures. They include:
·
The Goal: What needs to be said?
·
Strategy: how should we think about
this?
·
Framework: How does the structure of
the idea work?
·
Search-fields: Where else could we look for
ideas?
·
Point of View: What perspective should we
take?
·
Timeline: What time period is
involved?
·
Senses: Could the idea be
transferred to other senses?
·
Medium: In which other media would
the idea work?
·
Implementation: does form match content?

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